Lyon – part four – A smörgåsbord of museums

Our time in Lyon was much more than language learning, food and markets. Among the seemingly limitless attractions in Lyon, we spent many enjoyable hours visiting just a sample of its wonderful museums.

At the ultra-modern end of the scale, there is the excellent Musée des Confluences. Built on reclaimed land at the point where the rivers Rhône and Saône come together, this highly futuristic, stainless steel and glass edifice houses a permanent four part exhibit on the Ascent of Man – Origines, Espèces, Sociétés and Éternités – as well as temporary exhibits, all of which were well designed, and beautifully presented. We hadn’t expected to spend the whole afternoon there but the combination of La Dance Moderne – a well choreographed series of videos and music on screens throughout a large hall, and an Exploration of the Antarctic with some quite amazing underwater film footage of penguins and seals, meant we had little time left for Les Chaussures de la Monde and Potieres d’Afrique, before grabbing a quick coffee and a snack in the unusual – unusual for France that is – self-service cafe, before the museum doors were locked behind us, and it was time to take the tram back to Place Bellecour.

The comprehensive and extensive system of trams and buses and underground trains operated by Metro de Lyon is another aspect of Lyon that makes the city so easy to explore. Although we walked most of our time there, we did take a tram and the underground a couple of times and found them comfortable and clean, and more importantly, on schedule. To get a better feel for the city as early as we could, on our first weekend we also made use of the hop-on/hop-off City Tour Bus. This really came into its own, for your scribe’s old knees at least, after a long, tiring, but fascinating walk around the amazingly ornate late nineteenth century La Basilique Notre Dame de Fourvière and the two beautifully preserved Roman theatres right next door.

La Basilique Notre Dame de Fourvière

The Fourvière hill was where the first Christian community was created in the country of Gaul. The hill’s dedication to the Virgin Mary supposedly saved the old city from the ravages of the Black Death in the fourteenth century, as well as the cholera epidemic in 1832 and the Prussian invasion in 1870; sceptics please remain silent! Certainly the marvellous view of the city from the top of the hill makes any pilgrimage to the Basilica very worthwhile.

One of three entertainment-oriented museums that we found really interesting was the Musée Lumière that we visited with our fellow students, as one of the cultural events arranged by Inflexyon, the language school we attended during our first couple of weeks in the city. Housed in the majestic Villa Lumière on the appropriately named rue du Premier-Film, in the Monplaisir district of the 8e arondissement, this fine collection pays homage to the brothers Louis and Auguste Lumière, and describes their invention and development of the ‘moving picture’. The exhibits include several of the first movies ever made, on subjects as diverse as the children at family gatherings, steam trains passing through Lyon station, young men doing physical jerks and some classic slap-stick comedy routines. There was also a fine selection of their very early camera equipment as well as some insights into their early experiments at colour photography and videography. This was particularly interesting to two people whose home is not very far from Hollywood, an address that may never have achieved its fame without the innovative thinking of the Lumière brothers!

To better understand the history and development of Lyon, we visited the Musée Gadagne in the St Jean quarter of Vieux Lyon. Located in the Hôtel Gadagne, the early sixteenth century home of the brothers Gadagne, the building houses two museums, La Musée de l’Histoire de Lyon and the aforementioned Musée des Marionettes du Monde. This latter whimsical exhibition celebrates the birth of the famous glove puppet, Guignol, and his comedic friends, Gnafron and Madelon, the predecessors of the Punch and Judy shows that many of us remember from our childhood. Guignol was the invention of Lyon resident Laurent Mourguet, an out-of-work silk weaver, turned peddler and tooth puller, who started ‘puppeteering’ to distract his tooth-aching customers from the early 19th century terrors of primitive dentistry. Less entertaining, but of much greater historical interest, the story of Lyon is long and fascinating, going back to Roman times, and the history museum does it more than justice. Housed in the original Hotel Gadagne built by the Florentine family Gadagni in the early sixteenth century and, with a lot of stairs to climb between four floors of exhibits, it requires a fair degree of stamina and determination to see and read everything; however, the visit is well worth the effort. And, as a final reward, there is a very pleasant little cafe in a roof top garden, which in days gone by was a small urban vineyard.

A miniature fishmonger’s stall
A miniature café

Completing the portfolio of entertainment-oriented museums in this fascinating city, there is the unusual collection of exhibits that comprise le Musée Miniature et Cinéma, deux passions, deux collections, created by the American miniaturist Dan Ohlman. Housed in the celebrated seventeenth century Maison des Advocats, close to the St Jean Cathedral, this eclectic mix of bizarre, and fairly gruesome, cinematic props,

Prosthetic movie face
The hen-house from “Chicken Run”

along with a collection of very impressive miniature models of house and shop interiors, both real and imagined, some of which have been used in major Hollywood movies, makes for an hour of fascination to satisfy all ages and interests.

If none of these museums strike a chord, art lovers can choose from the Musée des Beaux Arts, the Musée d’Art Contemporain and the Musée des Tissus et Musée des Arts Decoratifs, students of ancient history have the Musée de la Civilisation Gallo-Romaine adjacent to the two Roman theatres on Fourvière hill, booklovers might enjoy the Musée de l’Imprimerie, and budding anthropolgists should take in the Musée Africain de Lyon. A veritable smorgasbord for those who love displays of “all-things museum-related”, after all, in one way or another, there is a “museumist” in all of us – thank you www.museumist.com for that delightful confabulated word!

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Taran

Born into a middle-class English family, Taran was educated at a minor UK public-school and graduated from Imperial College, London as a mechanical engineer. He worked variously as a marine engineer, a marine surveyor, a company owner and as an industrial accidents investigator. He is a family man although now divorced from the mother of his two sons. He has travelled the world extensively, often as part of his employment, but also many times simply for the pleasure of experiencing new countries their cultures and their people. As well as calling England his home for much of his life, he is also a citizen of Canada where he lived for seventeen years and has had homes in Nigeria and Kuwait. Now retired, he lives in California, happily married to his second wife, and close to both his sons and his grandchildren. He continues to travel as often as possible and is enjoying his dream of becoming a writer.